ROCCAT Khan Pro Specifications, Tests and Review

The ROCCAT Khan Pro are wired headphones. In the case of studio and professional DJ headphones, a wired connection is a standard and a necessity. In this case, connecting via cable reduces audio transmission delays and prevents unwanted battery drain as it would be in case of wireless headphones. The same is de facto true for gaming headsets. In case of headphones for normal music listening, the cable is rather a relic, although it still has its fans. However, the wireless option is much more popular for everyday use in today’s world.

The design of the headphones is around the ears. Because of this design, the headphone envelops the entire ear and isolates the ear better from surrounding noise when listening compared to for example on-ear headphones. With that, they offer high-quality listening without interference. However, they are most likely heavier by design and less practical for frequent carrying. The weight of the headphones is 230 g.

The sound quality can be affected by many factors. When it comes to frequency range, the wider it is, the more detail you will hear when listening. However, the range a person can perceive is highly individual. The average person is able to perceive frequencies in the range of 16 to 20 000 Hz. So the most common frequency range you will see on the market is 20 to 20,000 Hz. Lower frequencies up to approximately 256 Hz are considered bass frequencies. Therefore, the lower the bottom value is, the better the headphones will reproduce bass. Conversely, values from approximately 2 048 Hz upwards are treble. That is why headphones with a high upper value will provide a much more accurate reproduction of high notes. ROCCAT Khan Pro offers a frequency range of 10 - 40000 Hz.

The device connected to the headphones also plays a role most times. The lower impedance value (approximately 100 to 150 Ohms) is suitable for playback from mobile phones, laptops or other portable players that do not have a powerful enough amplifier. The lower impedance will ensure that the required volume level is achieved with less power, thus extending the life of the player. However, at the same time, with lower impedance, there is more distortion of the sound. Headphones with a higher impedance of around 250 Ohms and above are then more suitable for playback from really powerful signal sources or using a headphone amplifier, otherwise the sound coming out of them might not be loud enough. At the same time, higher-impedance headphones will also ensure less distortion in the sound. In the case of these headphones, the impedance reaches the 25 Ohm value.

An important part of these headphones is the diaphragm, which, simply put, converts the electrical signal into a sound. The thin diaphragm that is around 6 mm thick can react quickly to changes in the audio signal and improves high-frequency listening. However, it is less sensitive to bass. The medium-thick diaphragm of around 10 mm provides a fairly balanced sound profile, allowing you to enjoy both bass and treble. A thicker diaphragm of around 20 mm cannot react so quickly to changes in the sound signal, thus impairing bass listening. However, it is more sensitive to higher frequencies. This model features the 50 mm. Total Harmonic Distortion of these headphones is Audio Output | Total Harmonic Distortion. The value quoted by the manufacturer is usually the average distortion over all reproducible frequency bands. This is not a crucial parameter to decide on when making a decision, but on the other hand, keep in mind that higher harmonic distortion can negatively affect sound quality.

ROCCAT Khan Pro has a boom–type microphone. The microphone sensitivity is -40 dB. A lower microphone sensitivity will generally ensure that even quieter sounds are caught. On the other hand, in noisier environments, distortion of the recording may occur. With a higher sensitivity, the microphone will not distort the recording even in noisy environments. On the other hand, the microphone will not pick up quieter sounds. So it depends on the environment and the purposes you plan to use the headphones for. As with headphones, so-called harmonic distortion affects the sound quality of a microphone. Harmonic distortion above 5% is quite high and can lead to a reduction in recording quality. The average for most headphones is a distortion between 1 and 5%. For the average user, the recording quality of a headphone microphone in this interval should be perfectly adequate. Total harmonic distortion below 1% is more likely to be encountered in professional headphones. Such distortion is already considered very low and will ensure maximum recording quality. The total harmonic distortion of this microphone model is Microphone | Total Harmonic Distortion.