ROCCAT Khan Aimo Specifications, Tests and Review

The ROCCAT Khan Aimo are wired headphones. In the case of studio and professional DJ headphones, a wired connection is a standard and a necessity. In this case, connecting via cable reduces audio transmission delays and prevents unwanted battery drain as it would be in case of wireless headphones. The same is de facto true for gaming headsets. In case of headphones for normal music listening, the cable is rather a relic, although it still has its fans. However, the wireless option is much more popular for everyday use in today’s world.

This type of headphones has a design that surrounds the entire ear to improve isolation from external noise. As a result, they provide a great quality of listening without interference. However, unlike on-ear headphones, they are usually heavier and less suitable for frequent wearing. The weight of the headphones is 275 g.

The sound quality can be affected by many factors. When it comes to frequency range, a wider range will allow more detail to be heard during your listening session. However, it is important to note that the ability to perceive frequencies varies from person to person. The average person is able to hear frequencies in the range of 16 to 20 000 Hz. That is why headphone manufacturers usually focus on the 20 to 20 000 Hz range. If the lower values are lower, headphones are better able to reproduce bass tones, as these represent frequencies up to approximately 256 Hz. Conversely, values from 2 048 Hz upwards are treble. Thus, headphones with a high upper limit will provide a much more accurate reproduction of high tones. Headphones ROCCAT Khan Aimo have a frequency range of 10 - 40000 Hz. Overall, these headphones can reproduce sound up to 99 dB. However, be careful. Repeatedly playing music continuously at really high volumes can damage your hearing.

The device connected to the headphones also plays a role most times. The lower impedance value (approximately 100 to 150 Ohms) is suitable for playback from mobile phones, laptops or other portable players that do not have a powerful enough amplifier. The lower impedance will ensure that the required volume level is achieved with less power, thus extending the life of the player. However, at the same time, with lower impedance, there is more distortion of the sound. Headphones with a higher impedance of around 250 Ohms and above are then more suitable for playback from really powerful signal sources or using a headphone amplifier, otherwise the sound coming out of them might not be loud enough. At the same time, higher-impedance headphones will also ensure less distortion in the sound. In the case of these headphones, the impedance reaches the 32 Ohm value.

The headphones are composed of many various components, one of the most important is the diaphragm. Diaphragm transforms the electrical signal into sound and therefore its quality affects the overall listening experience. There are three types of diaphragms: thin, medium-thick, and thicker. A thin 6 mm thick diaphragm responds quickly to high frequencies but less sensitively to bass. The medium-thick 10 mm diaphragm provides a balanced sound profile, allowing you to enjoy both bass and treble. The thicker 20 mm diaphragm is more sensitive to higher frequencies but has a poorer bass response. These headphones are equipped with the 50 mm.

ROCCAT Khan Aimo has a boom–type microphone. The microphone sensitivity is -40 dB. A lower microphone sensitivity will generally ensure that even quieter sounds are caught. On the other hand, in noisier environments, distortion of the recording may occur. With a higher sensitivity, the microphone will not distort the recording even in noisy environments. On the other hand, the microphone will not pick up quieter sounds. So it depends on the environment and the purposes you plan to use the headphones for. As with headphones, so-called harmonic distortion affects the sound quality of a microphone. Harmonic distortion above 5% is quite high and can lead to a reduction in recording quality. The average for most headphones is a distortion between 1 and 5%. For the average user, the recording quality of a headphone microphone in this interval should be perfectly adequate. Total harmonic distortion below 1% is more likely to be encountered in professional headphones. Such distortion is already considered very low and will ensure maximum recording quality. The total harmonic distortion of this microphone model is Microphone | Total Harmonic Distortion.