Sennheiser CC 520 Specifications, Tests and Review

The Sennheiser CC 520 are wired headphones. In the case of studio and professional DJ headphones, a wired connection is a standard and a necessity. In this case, connecting via cable reduces audio transmission delays and prevents unwanted battery drain as it would be in case of wireless headphones. The same is de facto true for gaming headsets. In case of headphones for normal music listening, the cable is rather a relic, although it still has its fans. However, the wireless option is much more popular for everyday use in today’s world.

The headphones are designed as on-ear. On-ear headphones are generally lighter. However, their design has fewer isolation capabilities, and therefore, for example, more sound can be let in and out compared to around-ear headphones.

The sound quality can be affected by many factors. For many users the frequency range is a key feature of headphones. The wider the range, the more detail and nuance you will hear while listening. However, every individual perceives frequencies differently, so the frequency range of headphones varies according to individual needs. The average person perceives frequencies in the range of 16 to 20,000 Hz, so headphones with a frequency range of 20 to 20,000 Hz are most commonly available. If you are looking for headphones with a good bass performance, you should aim for lower range values (bass represents frequencies up to about 256 Hz), while high range values (frequencies roughly above 2,048 Hz) will be better for reproducing high tones. The frequency range of headphones Sennheiser CC 520 is 300 - 3400 Hz. The headphone's sensitivity determines how effectively they can receive a signal from a source. The higher the sensitivity of the headphones, the louder they can play at lower power consumption. However, at high volumes, power consumption increases, which can be a problem when listening to music from a cell phone. A sensitivity value of around 85 dB is suitable for quiet environments, while a value of around 90 dB allows for quality listening even in noisy environments. Headphones with a sensitivity value of 100 dB and above are suitable for extremely noisy environments such as concerts. Headphones Sennheiser CC 520 are designed with sensitivity about 103 dB. Overall, these headphones can reproduce sound up to 103 dB. However, be careful. Repeatedly playing music continuously at really high volumes can damage your hearing.

The device connected to the headphones also plays a role most times. The lower impedance value (approximately 100 to 150 Ohms) is suitable for playback from mobile phones, laptops or other portable players that do not have a powerful enough amplifier. The lower impedance will ensure that the required volume level is achieved with less power, thus extending the life of the player. However, at the same time, with lower impedance, there is more distortion of the sound. Headphones with a higher impedance of around 250 Ohms and above are then more suitable for playback from really powerful signal sources or using a headphone amplifier, otherwise the sound coming out of them might not be loud enough. At the same time, higher-impedance headphones will also ensure less distortion in the sound. In the case of these headphones, the impedance reaches the 300 Ohm value.

Headphones consist of many important parts, including the diaphragm, which is responsible for converting electrical signals into sound. The diaphragm, with a thickness of around 6 mm, is very sensitive to changes in high frequencies but less sensitive to bass. For a relatively balanced sound profile, a medium-thick diaphragm of around 10 mm is used, which can reproduce both bass and treble. A diaphragm with a thickness of around 20 mm is not as quick to respond to changes in the audio signal, and this results in poorer bass listening. However, it is very sensitive to higher frequencies. In the case of this model, the diaphragm is the 42 mm. Total harmonic distortion is one of the parameters you will come across and usually includes the average value of the distortion when reproducing all frequency bands. This parameter is not critical when choosing headphones, but it is important to remember that higher harmonic distortion can negatively affect sound quality. In case of these headphones, the total harmonic distortion is Audio Output | Total Harmonic Distortion.

Sennheiser CC 520 has a boom–type microphone. As with headphones, so-called harmonic distortion affects the sound quality of a microphone. Harmonic distortion above 5% is quite high and can lead to a reduction in recording quality. The average for most headphones is a distortion between 1 and 5%. For the average user, the recording quality of a headphone microphone in this interval should be perfectly adequate. Total harmonic distortion below 1% is more likely to be encountered in professional headphones. Such distortion is already considered very low and will ensure maximum recording quality. The total harmonic distortion of this microphone model is Microphone | Total Harmonic Distortion.