Fellowes C 450 Specifications, Tests and Review

The Fellowes C 450 are wired headphones. In the case of studio and professional DJ headphones, a wired connection is a standard and a necessity. In this case, connecting via cable reduces audio transmission delays and prevents unwanted battery drain as it would be in case of wireless headphones. The same is de facto true for gaming headsets. In case of headphones for normal music listening, the cable is rather a relic, although it still has its fans. However, the wireless option is much more popular for everyday use in today’s world.

The sound quality can be affected by many factors. For many users the frequency range is a key feature of headphones. The wider the range, the more detail and nuance you will hear while listening. However, every individual perceives frequencies differently, so the frequency range of headphones varies according to individual needs. The average person perceives frequencies in the range of 16 to 20,000 Hz, so headphones with a frequency range of 20 to 20,000 Hz are most commonly available. If you are looking for headphones with a good bass performance, you should aim for lower range values (bass represents frequencies up to about 256 Hz), while high range values (frequencies roughly above 2,048 Hz) will be better for reproducing high tones. The frequency range of headphones Fellowes C 450 is 300 - 3000 Hz.

The device connected to the headphones also plays a role most times. The lower impedance value (approximately 100 to 150 Ohms) is suitable for playback from mobile phones, laptops or other portable players that do not have a powerful enough amplifier. The lower impedance will ensure that the required volume level is achieved with less power, thus extending the life of the player. However, at the same time, with lower impedance, there is more distortion of the sound. Headphones with a higher impedance of around 250 Ohms and above are then more suitable for playback from really powerful signal sources or using a headphone amplifier, otherwise the sound coming out of them might not be loud enough. At the same time, higher-impedance headphones will also ensure less distortion in the sound. In the case of these headphones, the impedance reaches the 300 Ohm value.

Fellowes C 450 has a boom–type microphone. As with headphones, so-called harmonic distortion affects the sound quality of a microphone. Harmonic distortion above 5% is quite high and can lead to a reduction in recording quality. The average for most headphones is a distortion between 1 and 5%. For the average user, the recording quality of a headphone microphone in this interval should be perfectly adequate. Total harmonic distortion below 1% is more likely to be encountered in professional headphones. Such distortion is already considered very low and will ensure maximum recording quality. The total harmonic distortion of this microphone model is Microphone | Total Harmonic Distortion.